Microphone Preamps

Glensound - Symphony

Glensound's Symphony audio monitoring and microphone amplifier was originally designed to meet one of our customers requirements. They had been using a similar analogue monitoring system for many years and when they updated their production mixer to a Dante enabled desk they naturally wanted to encompass and embrace the advantages of the network audio system to include their monitoring and musical instrument pre amplifiers.

ASL - Enchorus ENC 1201

The ENCHORUS ENC 1201 Dante™-based audio network module offers eight high dynamic range (HDR) microphone inputs and four line outputs. Each microphone input has four splitters with individual trim, mute, phase reverse, and a 4-band equalizer. The dynamic range of each microphone amplifier is more than 152dB.

A four-band equalizer is also provided for each output, and the ENC 1201 features eight built-in mixing engines and support for sample frequencies up to 192kHz. The device is easy to control and monitor through a web interface. A built-in audio matrix allows flexible routing of all inputs, outputs, and mixer signals.

Grace Design - m108

From 25 years experience of creating acclaimed professional audio products, comes the latest evolution of our mic preamplifier design: the m108.

Grace Design - m802

Possibly the world’s most evolved mic preamplifier, the m802 delivers functionality and performance which simply doesn’t exist in any other mic preamp design.

Jünger - Voice Audio Processor D*AP4 VAP EDITION

The fully featured dual mono or stereo D*AP4 VAP EDITION contains a suite of performance enhancing and creative audio processes dedicated to extracting the maximum potential quality from voice audio with dependable consistency. Flexible I/O options include AES, analog, 3G SDI, MADI, Dante™ and high quality microphone pre-amps.

Focusrite - RedNet MP8R

RedNet MP8R is an 8-channel remote-controlled microphone preamplifier and A/D for the Dante audio-over-IP network, designed specifically for the live sound/recording and broadcast environments, and